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May 15, 2008

BURBANK, Calif. -- Deep inside Stage 11 on the bustling Warner Bros. lot, a giant of a television show is starting to die. "ER," one of prime time's longest-running series, will expire in February. And its 14th season-ender (9 p.m. today) will slide the show closer to its demise...

The Associated Press

BURBANK, Calif. -- Deep inside Stage 11 on the bustling Warner Bros. lot, a giant of a television show is starting to die.

"ER," one of prime time's longest-running series, will expire in February. And its 14th season-ender (9 p.m. today) will slide the show closer to its demise.

"It just shakes you up a little," said executive producer Christopher Chulak on a break from directing season finale scenes on "ER's" County General Hospital set. "One foot in the grave," joked "ER" special effects-meister Scott Forbes.

But "ER's" death is more than the end of a once wildly popular TV series. It is the culmination of an era in broadcast television. Created by Michael Crichton, "ER" helped usher in a new age of top-flight TV drama in the early '90s, along with its CBS archrival, "Chicago Hope."

The most Emmy-nominated series ever, with 120 nods and 22 wins, "ER" launched George Clooney's career. And it far outlasted "Hope."

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Still, despite the scent of finality, executive producer John Wells isn't getting melancholy about "ER's" death -- at least not yet.

"It's a great luxury because it means we can plan the ending properly," Wells said.

In a few weeks Wells and his writing staff will hunker down to map out storylines for "ER's" final season, which will include at least one return by a former star.

Noah Wyle has committed to four episodes as Dr. John Carter.

"Carter figures centrally in the way I wanted to end the series, which I'd planned six or seven years ago," Wells said.

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