Good night, sweet Prince: Music icon dies

CHANHASSEN, Minn. — Prince, one of the most inventive and influential musicians of modern times, with hits including “Little Red Corvette,” “Let’s Go Crazy” and “When Doves Cry,” was found dead at his home Thursday in suburban Minneapolis, according to his publicist. He was 57.

His publicist, Yvette Noel-Schure, said the superstar “died at his home this morning at Paisley Park.”

The local sheriff said deputies found Prince unresponsive in an elevator late Thursday morning after being summoned to his home, but first responders couldn’t revive him.

No details about what may have caused his death have been released.

Prince postponed a concert April 7 in Atlanta, after falling ill with the flu, and he apologized to fans during a makeup concert last week.

President Barack Obama, for whom Prince was a White House guest last year, said he and his wife “joined millions of fans from around the world” in mourning Prince’s sudden death.

“Few artists have influenced the sound and trajectory of popular music more distinctly or touched quite so many people with their talent,” Obama said in a statement. “‘A strong spirit transcends rules,’ Prince once said — and nobody’s spirit was stronger, bolder, or more creative.”

The dazzlingly talented and charismatic singer, songwriter, arranger and instrumentalist drew upon musicians ranging from James Brown to Jimi Hendrix to the Beatles, creating a gender- and genre-defying blend of rock, funk and soul.

He broke through in the late 1970s with the hits “Why You Wanna Treat Me So Bad?” and “I Wanna Be Your Lover,” and soared over the following decade with such albums as “1999” and “Purple Rain.”

The title song from “1999,” his funky and flippant anthem about an oncoming nuclear holocaust, includes one of the most quoted refrains of popular culture: “Tonight I’m gonna party like it’s 1999.”

The Minneapolis native, born Prince Rogers Nelson, stood just 5 feet, 2 inches — yet he made a powerful visual impact at the dawn of MTV. Prince was a Little Richard for the ’80s, from his wispy moustache and tall pompadour to his colorful and suggestive outfits, the counterpart to the openly erotic lyrics that made him one of the most sexually daring artists of the era.

But his greatest legacy was as a musician, summoning original and compelling sounds at will, whether playing guitar in a flamboyant style that drew on Jimi Hendrix, switching his vocals from a nasally scream to an erotic falsetto or turning out album after album of stunningly innovative material.

Among his other notable releases: “Sign O’ the Times,” “Graffiti Bridge” and “The Black Album.”

Rarely lacking in confidence, he effortlessly absorbed the music of others and made it sound like Prince, whether the James Brown guitar riff on “Kiss” or the Beatle-esque, psychedelic pop of “Raspberry Beret.”

Mick Jagger was among numerous musicians, actors and other public figures praising the artist, tweeting: “Prince’s talent was limitless. He was one of the most unique and talented artists of the last 30 years.”

Madonna called him a “true visionary,” while Oprah Winfrey tweeted: “Prince the doves really are crying now. Listening to your music. Remembering you.”

Prince was fiercely protective of his independence, battling his record company over control of his material and even his name.

Anxious to get out of his contract with Warner Bros., he identified himself by a key-like symbol with an unpronounceable name. Journalists called him “TAFKAP,” or “The Artist Formerly Known as Prince.”

Prince also once wrote “slave” on his face in protest of not owning his work and famously fought and then departed Warner before returning a few years ago.

“What’s happening now is the position that I’ve always wanted to be in,” Prince said in 2014. “I was just trying to get here.”

Prince’s records sold more than 100 million copies. He won seven Grammys and received an Academy Award in 1985 for his music from “Purple Rain,” the movie in which he starred as a young musician.

In 2004, Prince was inducted into the Rock and Roll Hall of Fame, which hailed him as a musical and social trailblazer.

“He rewrote the rulebook, forging a synthesis of black funk and white rock that served as a blueprint for cutting-edge music in the eighties,” reads the Hall’s dedication. “Prince made dance music that rocked and rock music that had a bristling, funky backbone. From the beginning, Prince and his music were androgynous, sly, sexy and provocative.”

Music was in his blood. Prince’s father played in a jazz band in Minneapolis, under the name “Prince Rogers,” and his mother was the singer.

The precocious young Prince taught himself to play the piano at age 7, the guitar at 13 and the drums at 14.

But his home life was also troubled.

His parents separated when he was 10, and Prince, who ended up with six siblings and half siblings, moved back and forth between the homes of his mother and father.

In 1978, the year he turned 20, Prince debuted with the album “For You.”

It was a declaration, if nothing else, that he could do anything: He wrote and sang the material and served as his own one-man band on guitar, bass, drums, synthesizers, chimes and assorted other instruments.

The album received mixed reviews, but his second album — called “Prince” — sold more than a million copies and launched his run of hit albums and singles over the next few years.

Prince became not just a star in his own right, but a veritable music factory, whether with such side projects as Vanity and Morris Day and The Time or the songs he wrote for others.

Sinead O’Connor had a hit with “Nothing Compares 2 U,” while other covers included Cyndi Lauper’s “When You Were Mine” and the Bangles’ “Manic Monday.”

Prince’s influence even extended to politics, well before Obama’s time.

In the mid-1980s, Tipper Gore, wife of then-Sen. Al Gore of Tennessee, heard one of her daughters listening to Prince’s “Darling Nikki.”

Horrified by the song’s reference to masturbation, she helped launch an organization dedicated to a labeling system for explicit content, the Parents Music Resource Center.

A nationwide debate about censorship soon followed, including congressional testimony from Frank Zappa among others and the refusal by some record sellers to offer releases deemed in need of advisories.

Prince had been touring and recording right up until his death, releasing four albums in the last 18 months, including two on the Tidal streaming service last year.

He performed in Atlanta last week as part of his “Piano and a Microphone” tour, a stripped-down show that featured a mix of his hits, such as “Purple Rain” or “Little Red Corvette,” and some B-sides from his extensive library.

Prince debuted the intimate format at his Paisley Park studios in January, treating fans to a performance that was personal, playful and emotional at times.

The musician seemed to be shedding his reclusive reputation. He hosted several late-night jam sessions where he serenaded Madonna, celebrated the Minnesota Lynx’s WNBA championship and showcased his latest protege, singer Judith Hill.

Ever surprising, he announced on stage in New York City last month he was writing his memoir, “The Beautiful Ones,” which was expected to be released in the fall of 2017 by publishing house Spiegel & Grau.

A press release about the memoir said Prince would “take readers on an unconventional and poetic journey through his life and creative work” and include stories about his music, family and the “people, places and ideas that fired his creative imagination.”

A spokeswoman for Spiegel & Grau, Theresa Zoro, said Thursday the publisher had no immediate comment the status of the book.

About 200 fans had gathered by Thursday afternoon outside Paisley Park, Prince’s home and music studio, where his gold records are on the walls and the purple motorcycle he rode in his 1984 breakout movie, “Purple Rain,” is on display.

The sprawling white, stone building is surrounded by a fence in Chanhassen, about 20 miles southwest of Minneapolis.

Steven Scott, 32, of Eden Prairie, Minnesota, said he was at Paisley Park for Prince’s dance party. He called Prince “a beautiful person” whose message was that people should love one another.

“He brought people together for the right reasons,” Scott said.

Moody and Italie reported from New York. Associated Press writers David Bauder in New York, Paul Newberry in Atlanta and Steve Karnowski in Chanhassen also contributed.