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August 11, 2007

WASHINGTON -- An ensemble of musicians normally separated by oceans and thousands of miles will perform together later this month for the first time, having until now composed music layer by layer with sound files exchanged over the Internet. Their goal: Show how the arts can bridge diverse cultures -- even among people who have never met in person before coming together on stage...

By BRETT ZONGKER ~ The Associated Press
Haj Youness played a Moroccan instrument called a oud on March 21 in Casablanca, Morocco. Youness, from Morocco, is one of several musicians from Afghanistan, Iran, Ethiopia, Morocco and the United States who are creating a world music ensemble with performances planned in Chicago, Washington and Casablanca in August to show how the arts can help bridge cultures. (MEGAN BEARDER ~ Genesis at the Crossroads)
Haj Youness played a Moroccan instrument called a oud on March 21 in Casablanca, Morocco. Youness, from Morocco, is one of several musicians from Afghanistan, Iran, Ethiopia, Morocco and the United States who are creating a world music ensemble with performances planned in Chicago, Washington and Casablanca in August to show how the arts can help bridge cultures. (MEGAN BEARDER ~ Genesis at the Crossroads)

WASHINGTON -- An ensemble of musicians normally separated by oceans and thousands of miles will perform together later this month for the first time, having until now composed music layer by layer with sound files exchanged over the Internet.

Their goal: Show how the arts can bridge diverse cultures -- even among people who have never met in person before coming together on stage.

A singer and instrumentalist from Afghanistan, a guitarist from Iran, a bass player from Ethiopia and drummers from Morocco are all part of the ensemble. They will accompany American Jewish tenor Alberto Mizrahi, Moroccan singer Haj Youness, who is Muslim and serves as dean of the Casablanca Conservatory of Music, and American keyboard and harmonica legend Howard Levy.

Performances are scheduled for Aug. 25 and 26 in Chicago's Lincoln Park, Aug. 27 at the Kennedy Center in Washington and later this fall in Casablanca, Morocco.

"It's just a delicious space of creativity," said Wendy Sternberg, an advocate of diplomacy through arts who organized the events as director of the Chicago-based not-for-profit Genesis at the Crossroads.

"I'm very interested in not only showing that Arab and Jewish and Persian musicians can share the same stage but they can actually work together and create new art," she said. "In doing that, they make a statement that's really profound about how the world can be transformed through people collaborating."

Some experts in conflict resolution advocate interfaith dialogue or political symposiums, but Sternberg says the arts have a unique power to connect with and inspire core human values.

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For the third year, Sternberg's organization is producing the outdoor food, art and music festival in Chicago's Lincoln Park.

"What we're trying to do really is to say in spite of our differences that our historical sameness and music itself is a binding force between peoples," Mizrahi said. "And once musicians sit down, there is no Arab and Jew and Christian or whatever. There's just musicians."

As one of the lead performers, Mizrahi is promising a unique world sound, with the combined influences of a "jazz harmonica pianist," a Jewish cantor and jazz-influenced Middle Eastern music. At least six different languages will be heard, including Arabic, Hebrew, Spanish and French.

Each soloist will be given moments for improvisation, Mizrahi said.

"All of a sudden you can be on a magic carpet, flying from New York from the Lower East Side to Morocco and then back over to Jerusalem and then out to jazz clubs out there in Chicago," he said. "It's going to be a travel experience in music."

Iranian-American guitarist Shahin Shahida said the ensemble brings a fusion of sounds from the East and West.

"I myself am a product of the East and West combined. When you see that, you realize there is an in-between," he said. "It's best to look for the best in all cultures, all forms of art and try to use that as opposed to dwelling on the negative."

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