MUSIC REVIEW: Bon Jovi circles back to Jersey stadium rock

The fiddles and banjos have been packed away and the steel guitars, presumably, stolen. In their place are angry electric guitars, catchy choruses that demand to be shouted out in a football stadium and a return to the unflappable optimism that has made these Jersey guys legends in the rock biz.

In short, Bon Jovi is back.

"The Circle" is the followup to 2007's wildly successful but country-fried "Lost Highway," which was a jarring sonic detour for the heroes of the New Jersey Turnpike. Thankfully, Jon Bon Jovi & Co. are keeping the faith with the still-developing but oh-so-recognizable sound that has been the band's trademark.

"We Weren't Born To Follow," the fist-pumping anthem that kicks off the disc, could have been right at home on "Slippery When Wet" or "New Jersey," with its timeless hooks and punchy beat.

They come full circle on "Work For The Working Man," which just as easily could have been titled "Livin' On A Prayer II," from the foundation bass riff that's almost identical to that of Bon Jovi's biggest-ever hit, to the dignified struggle of the little guy against tremendous odds.

Richie Sambora makes his presence known here more strongly than on the last few albums, with intricate and longer solos.

Throughout it all, "Hell yeah!" has replaced "Hee Haw." And as they say in New Jersey, that's a good thing, capisce?

CHECK THIS TRACK OUT: "When We Were Beautiful" is about trying to regain lost innocence and simplicity. It sounds like it can apply to the world, or to the band itself.