- Golden Corral coming to Cape; may hire 100 workers (7/21/16)10
- Area groups working together to reintroduce elk in Missouri (7/18/16)1
- Woman sleeping in car accused of attacking Cape officer (7/26/16)13
- Prosecutor says shooting by state trooper was justified (7/24/16)15
- Former Scott City mayor refutes claims made about loss of curbside recycling pickup (7/26/16)
- Hastings in Cape closing (7/22/16)5
- Governor signs Rep. Swan bill that equalizes child-custody criteria (7/6/16)5
- Suspect in downtown Cape shooting ID'd in court (7/20/16)2
- City may spend extra park tax money on Cape Splash, skate park, other projects (7/25/16)10
- Jackson's former police dog euthanized Monday (7/21/16)2
Book review: "Three Girls and Their Brother" by Theresa Rebeck
In her first novel, playwright and screenwriter Theresa Rebeck skewers paparazzi culture and our national obsession with the hookups and breakdowns of the young and the beautiful.
In "Three Girls and Their Brother," three gorgeous redheads are thrown into the celebrity machine when a photographer takes their portrait for The New Yorker magazine. The media attention becomes a firestorm after a run-in between rebellious, 14-year-old Amelia and a lecherous movie star.
Suddenly, the Heller sisters are New York City's "It girls," their every move stalked and scrutinized by legions of paparazzi and press.
Ambitious 18-year-old Daria and wild 17-year-old Polly welcome the attention, but Amelia wants to go back to the real world of high school. But she soon discovers that casting off her celebrity status won't be as easy as it seems.
It doesn't help that the girls' mother, a former beauty queen, is willing to sacrifice her daughters to feed the demands of agents, publicists, stylists and reporters.
Rebeck breaks the story into four sections, one narrated by each Heller sibling — the girls and Philip, the brother of the title.
Heightening the authenticity, Rebeck peppers the novel with real-life people and places. The girls appear on "Live With Regis and Kelly," mingle with movie stars at the W Hotel and model lingerie for GQ magazine. The true-to-life references add to the illlusion that we are getting a behind-the-scenes peek at the lives of New York celebrities.
When Amelia is cast in an off-Broadway play, Rebeck takes the opportunity to also gently mock the pretensions and insecurities of the New York theater scene. But Rebeck — the playwright behind "Spike Heels," "Bad Dates" and her 2007 Broadway debut, "Mauritius" — treats stage actors with more affection than models and movie stars.
The book could have been little more than a frothy beach read, but Rebeck undercuts the fun with darker points about celebrity culture — particularly the damage caused by the media's sexualization of young girls.
— Associated Press